Everything Everywhere All at Once by Daniel Kwan, Daniel Scheinert

Everything Everywhere All At Once is a difficult film to describe. It’s ridiculous, comprehensive, and simply mind-boggling. It expressed a profound grasp of absurdism, philosophy, and what it means to live a meaningful life.

With the film’s broad range and several themes, it may easily have been consumed by its own extent. However, the Daniels are fantastic filmmakers who created an effortlessly nihilistic film that is continuously groundbreaking and extraordinary.

The film goes out of its way to demonstrate that it is more than just a multiversal action-comedy; its layers and complexity hint to a greater purpose beneath it all. It is, at its heart, a highly intimate family drama.

Despite the fact that Everything Everywhere All At Once is an action picture about preserving the multiverse and reality hopping, it delivers an excellent character study. Characters who were masterfully crafted and woven into the fabric of the story. At the end of the day, it’s the characters that made this film, not the narrative.

Michelle Yeoh and Jamie Lee Curtis were at the pinnacle of their game. They gave outstanding performances that deserve to be recognized. This sci-fi masterpiece’s complete ensemble excelled. A highly brilliant group who all embodied their characters and gave amazing performances.

The film’s crazy action sequences, stunning special effects and editing, and brilliant references all had a role in bringing such a great and meaningful story to the screen. Everything worked together to create a hypnotic mood of sadness and nihilism.

Everything Everywhere All At Once is very contemplative and existential. It’s a film that skillfully conveys that everything and every moment is equally significant or not. The way you view things makes all the difference. Easily the finest film of the year!

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